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MEGHNAD SAHA

Saha, Meghnad (1893-1956) born on 6 October 1893 in the village of Seoratoli in Talebad Pargana of the district of Dhaka in eastern Bengal (presently Bangladesh). Brought up in fairly straitened circumstances, Meghnad had his early schooling in his village and later moved to nearby Simulia where Ananta Kumar Das, family physician to the zamindars of Kasimpur, supervised his upbringing.
In 1905 he was admitted to Dhaka Collegiate School. He was, however, forced to leave the school because of his participation in the swadeshi movement.
Meghnad Saha later joined Kishorilal Jubilee School. In 1909, he earned the distinction of securing the highest marks in Bangla, Sanskrit, English andmathematics in the Entrance Examination of that year. Saha stood first among East Bengal students and third among students from the whole of Bengal in that examination. He passed the ISc examination from dhaka college in 1911. Soon after, he went to calcutta to enrol as a student at presidency college.
Meghnad Saha
Here he had among his teachers Sir jagadis chandra bose, Sir achariya prafulla chandra ray, Prof DN Mallik and Prof CE Cullis. Though engaged in the study of mathematics, he came under the influence of Sir Prafulla who was a professor of Physics and became one of his most favourite students and a close associate. He graduated with an honours degree in Mathematics with the second position in the first class.
In 1916, Sir asutosh mookerjee appointed him as a lecturer in the department of Physics and Mixed Mathematics in the newly established College of Science in Calcutta. While serving in this capacity, he submitted a thesis for a doctorate which the board consisting of Professor OW Richardson of King's College and EB Cunningham examined. Meghnad Saha was a student of Einstein's 'Theory of Relativity' even before it attained its celebrated status. He received his Doctorate in 1919 and in the same year was awarded premchand roychand studentship for his thesis entitled 'Selective Radiation Pressure and its Application to the Problems of Astrophysics'. This thesis marked his entry into Astrophysics. The Premchand Roychand Studentship and a Guruprasanna Ghosh Scholarship enabled him to proceed to Europe in 1920. He worked for sometime at the Imperial College with Professor A Fowler, successor to Norman Lockyer, and worked towards the publication of the most famous of his scientific works on 'Thermal Ionisation of Gases'. His theory gave a clear and precise explanation of the facts accumulated by Sir Lockyer and Professor Pickering of Harvard University Observatory, who examined the spectra of 200,000 stars and classified them into well-defined groups.
In 1921, Dr Saha went to Berlin to work at the laboratory of Professor W Nernst to verify his theory through experimentation. While engaged at work in Berlin he received an invitation from Professor Sommerfeld of Munich to address the physicists there on his work. This was done in May and the lecture was published in the Zeitschrift fur Physik Vol 6. In Berlin, he became close to the great physicist Albert Einstein. About this time Sir Asutosh created a chair in Physics for him with the help of a donation from the Raja of Khaira and recalled him to Calcutta.
Calcutta University was then passing through a very critical stage. Dr Saha remained in Calcutta trying in vain to set up a laboratory where he could work further on the experimental verification of his theory. At last through the efforts of his friend Dr NR Dhar he received an appointment at Allahabad as professor of Physics in October 1923. He devoted himself to the improvement of this department, and the reorganisation of its syllabus and research agenda.
In the meantime, his 'ionisation theory' gained new adherents. The first and foremost was Professor Henry Norriss Russell, professor of Astronomy at the Princeton University. With the requisite resources at his disposal, Prof Russell verified many of Saha predictions and carried out an important extension of Saha's theory. Following Russell, two brilliant Cambridge graduates, RH Fowler and EA Milne, carried the theory still further and pointed out fresh applications for it. It was Alfred Fowler who proposed Saha's name in 1925 for Fellowship of the Royal Society, Dr Saha earned this distinction two years later. He was elected a life member of the Astronomical Society of France and was made a Foundation Fellow of the Institute of Physics in London. Alone or with his colleagues, he published many papers of great value and wide interest. His new theory of the 'Structure of Atoms' proved to be a major contribution to the study of physical phenomena.
During his fifteen years of stay in Allahabad (1923-1938) he built up a very active centre of research with the help of DS Kothari, RC Majumdar and PK Kichlu, among many others. But quite apart from his research interests during this period, Saha became deeply involved in the problem of organising scientists as a corporate body engaged not only in professional communication but in the more overtly political act of lobbying for resources and public support for scientific enterprises. Saha proposed the formation of an Indian Science Academy in 1934, which was to take over the functions of the Indian Science Congress Association. He proposed that such an organisation should try to induce the state to form a National Research Committee in which academies should have a fair representation. Saha's initiative resulted in the establishment of the National Institute of Sciences in India (later renamed the Indian National Science Academy) in Calcutta in 1935. In 1945 the headquarters of the institute was shifted to the Indian capital.
Between 1933 and 1935 Dr Saha was also responsible for founding two other scientific organisations, namely, the Indian Physical Society in 1933 and the Indian Science News Association in 1935. It was this news organisation which since the mid-1930s brought out the journal Science and Culture as an alternative political voice in the debates on national reconstruction and planning. Saha proposed application of science to the planning process. In doing this he shared the views of subhas chandra bose who in his famous London Thesis of 1930 called for inclusion of scientific expertise in the nation-building exercise. Saha became an important member of the National Planning Committee set up under the chairmanship of Pandit Jawaharlal Nehru in 1938.
In the meantime, he had returned to Calcutta from Allahabad and joined Calcutta University as Palit Professor in 1938. During his tenure at the university, important changes were introduced into the physics syllabus. Saha recognised the importance of the recently discovered nuclear fission of uranium in nuclear physics and for the utilisation of nuclear energy for industrial purposes. He introduced nuclear physics as a special subject in the MSc syllabus and attempted to build a special laboratory for nuclear physics. His single-handed efforts to establish a separate institute for nuclear physics led to its foundation in Calcutta being laid by Shyamaprosad Mookerjee in 1948 and the opening of the 'Institute of Nuclear Physics' by Mme Joliot Curie in 1951. After the death of Dr Saha, the research centre was renamed Saha Institute of Nuclear Physics.
In 1948 he was asked by the Government of India for opinion about establishment of an Atomic Energy Commission as proposed by yet another of India's great physicists Homi Bhabha. Saha opposed the proposal on the ground that India at that point did not have the necessary industrial base or the required manpower. The Government of India however went along with Bhabha's proposal and Saha found himself to be increasingly alienated from Pandit Nehru the man he most admired. His interests in issues of both regional and national importance continued to find voice in his journal. Many of these were firmly placed in the political agenda of the new government. These included improvement of the Damodar Valley, recurring problems of drought and famine, organisation of science on a national basis, and development of hydraulic research as the first step towards realising the programmes of river valley development.
His political commitments led him to enter politics in 1951. He offered himself as an independent candidate for membership of the Indian parliament and won by large margin, defeating his nearest Congress candidate easily. At this point he was also involved in the relief and rehabilitation of millions of refugees who were forced to flee their homes following partition in 1947. He organised the Bengal Relief Committee to conduct this work on a systematic basis.

His academic interests widened too and took the form of his involvement in the Calendar Reform Project. In the ever-expanding range of his public and academic interests, Saha proved to be an indefatigable worker. After 1954 his health began to give way. On 16 February 1956, while on a visit to New Delhi in connection with a meeting of the Planning Commission, Professor Meghnad Saha passed away.

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JIBANANDA DAS




Jibanananda Das ((17 February 1899 - 22 October 1954) is the most popular Bengali poet after Rabindranath Tagore and Kazi Nazrul Islam. He is considered one of the precursors who introduced modernist poetry to Bengali Literature, at a period when it was influenced by Rabindranath Tagore's Romantic poetry[1].

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SUKUMAR ROY


Sukumar Ray was born on 30 Ocrober 1887 in Calcutta (now Kolkata) & died on 1923 Calcutta (now Kolkata), was a Bengali humorous poet, story writer and playwright. As perhaps the most famous Indian practitioner of literary nonsense, he is often compared to Lewis Carroll. His works such as the collection of poems “Aboltabol”, novella “HaJaBaRaLa”, short story collection “Pagla Dashu” and play “Chalachittachanchari” are considered nonsense masterpieces equal in stature to Alice in Wonderland, and are regarded as some of the greatest treasures of Bangla literature. More than 80 years after his death, Ray remains one of the most popular of children’s writers in both West Bengal and Bangladesh.

Ray was born in a Brahmo family in Calcutta, India on 30 October 1887. Born in the era which can be called the pinnacle of the Bengal Renaissance, he grew up in an environment that fostered his literary talents. His father was a talented writer of stories and popular science; painter and illustrator extraordinaire; musician and composer of songs; a pioneering technologist and hobbyist astronomer. Upendrakishore was also a close friend of Rabindranath Tagore, who directly influenced Sukumar. Among other family friends were Jagadish Chandra Bose and Prafulla Chandra Roy. Upendrakishore studied the technology of blockmaking, conducted experiments, and set up a business of making quality blocks. The firm M/s U. Ray & Sons, where Sukumar and his younger brother Subinay were involved.

In 1906, Ray graduated with Hons. in Physics and Chemistry from the Presidency College, Kolkata. He was trained in photography and printing technology in England and was a pioneer of photography and lithography in India. While in England, he also delivered lectures about the songs of Rabindranath before he (Tagore) won the Nobel Prize. Meanwhile, Sukumar had also drawn acclaim as an illustrator. As a technologist, he also developed new methods of halftone blockmaking, and technical articles about this were published in journals in England.

Sukumar Ray was the son of famous children’s story writer Upendrakishore Ray (Ray Chowdhury) and the father of legendary Indian filmmaker Satyajit Ray. Sukumar Ray was also known as the convenor of “Monday Club”, a weekly gathering of likeminded people at the Ray residence, where the members were free to express their irreverent opinions about the world at large. A number of delightful poems were penned by Sukumar Ray in relation to the matters concerning Monday Club, primarily soliciting attendance, announcing important meetings etc.

Upendrakishore started a publishing firm, which Sukumar and Subinay helped to run. While Sukumar went to England to learn printing technology, Upendrakishore purchased land, constructed a building, and set up a printing press with facilities for high-quality halftone colour blockmaking and printing. He also launched the children’s magazine, “Sandesh”. Very soon after Sukumar’s return from England, Upendrakishore died, and Sukumar ran the printing and publishing businesses and the Sandesh (magazine) for about eight years. His younger brother Subinoy helped him, and many relatives pitched in writing for “Sandesh”.

Apart from the cultural and creative activities, Sukumar Ray was also a young man who was a leader of the reformist wing in the Brahmo Samaj. The Barahmo Samaj is the monotheistic unitarian branch of Hinduism launched by Raja Rammohan Roy following the philosophy of the monotheistic Hindu scripture Isha-Upanishad of 7th Century AD. Sukumar Ray wrote a long poem “Atiter Katha”, which was a popular presentation of the history of the Brahmo Samaj — it was published as a small booklet to introduce the rationale of the Brahmo Samaj to children. Sukumar also campaigned to bring in Rabindranath Tagore, the most famous Brahmo of his time, as a leader of the Samaj.

Ray died in 1923 of severe infectious fever, “Leishmaniasis”, for which there was no cure at the time. He left behind his widow and their only child, Satyajit. Satyajit Ray would later become the most well known of Indian filmmakers and shoot a documentary on Sukumar Ray in 1987, 5 years before his own death.

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SUKANTA BHATTACHARYA


Sukanta Bhattacharya, (1926-1947) Marxist poet, was born on 15 August 1926 at his maternal uncle's home in Kolkata. His paternal home was in Kotalipara in faridpur district...His father, Nibaranchandra Bhattacharya, was a book trader in Kolkata...
Sukanta studied at Kamala Vidyamandir in Kolkata, and then at Beleghata Deshbandhu High School...He became involved in students' movements and leftist political activities while still a student...In 1944 he became a member of the Communist Party. He appeared at the Entrance examination in 1945, but failed to pass and dropped out...

He edited the 'Kishore Sabha' section of the Dainik Swadhinata (1945), published by the Communist Party as well as a poetry anthology, Akal (1944), on behalf of the Society of Anti-Fascist Writers and Artists...As a poet as well he was committed to Marxism and wielded his pen against the Second World War, the famine of 1943, fascist aggression, communal riots etc. Among his outstanding poetical works are Chhadpatra (1947), Purbabhas (1950), Mithekada (1951), Abhiyan (1953), Ghum Nei (1954), Hartal (1962), Gitiguchchha (1965). His complete writings were anthologised in Sukanta Samagra and published posthumously from both West and East Bengal...His poems, which describe the sufferings of the common people and their struggle for existence, look forward to an exploitation-free society...Sukanta died of tuberculosis in Kolkata on 13 May 1947...

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SARAT CHANDRA CHATTERJEE


Sarat Chandra Chatterjee was born at Devanandapur, Hooghly in 1876 and received his primary school education at Hooghly Branch school but he was bred up in his mother's family at Bhagalpur where he received his school education and college education for two years. The death of his parents wrecked his home life and for some years he was to lead the life of a wail in North Bihar. In 1903 he went to Burma and found employment in Rangoon as a clerk in the Govt office.
On the eve of his departure to Burma, he submitted a short story for a prize competition in the name of his uncle Surendranath Ganguli. It won the first prize and was published in 1904. A long story (badadidi) was published in two installments in his own name in Bharati (1907). He was the first novelist in India to live in some comfort on the returns of his output. His instantaneous fame and continued popularity are without a parallel in our literary history. Some of his stories are very striking for their obvious sincerity and basic realism. These include Bindur chele (Bindu's Son, 1913), Ramer Sumati (Ram Returning to Sanity, 1914), Arakshaniya (The Girl Whose Marriage is Overdue, 1916), etc. Saratchandra's earliest writings show striking influence of Bankim Chandra Chatterjee. In Devdas (written in 1901, published 1917), Parinita (The Married Girl, 1914), Biraj Bau (Mrs. Biraj, 1914) and Palli Samaj (The Village Commune, 1916), the themes and their treatment are not very much different from the older Chatterjee's but they are presented in a modernistic setting and in an easier and more matter-of-fact language. He is certainly critical of his own ideas but he never flouts the accepted moral basis of the Hindu society of any time.
Chatterjee is at his best when he draws from his experience. To name the more important of such works : Srikanta in four parts (1917,1918,1927,1933), Charitrahin (Character-less, 1917), Biraj Bau (1914), Palli Samaj (1916), the first part of Devdasa (his first novel) and his first published short story Mandir (1904). It may be noted that these (with the exception of the last two part of Srikanta) belong to the first phase of Chatterjee's literary career, that is up to 1913 when he had been just recognized as a powerful writer of fiction. The second phase began with the conscious attempt to tackle a plot that is akin to Tagore's Gora. The result was his the biggest novel Grihadaha (Home Burnt, 1919). The spinning out a thin story is rather wearisome and it was never received with the usual acclamation. Before he finished Grihadaha, Chatterjee had reverted to the romantic love story Datta (The Girl Given Away, serialized 1917-19) and Dena-Paona (debts and demands, 1923) were written.

The revolutionary movement from Bengal operating in Burma and in Far East supplied the background of the romance Pather Dabi (The Demand of the Road, 1926). The novel for no cogent reason was proscribed by the Government. In Bipradas (1935) Chatterjee returns to the domestic novel but it scarcely reveals a new approach or a fresh appraisal. His last complete novel Sesh Prasna (The Final Question, 1931) is an attempt at the 'intellectual' novel where the meager theme is inflated by high brow talks on problems of the individual and of the society relating principally to love and marriage.
Some of the popular tales of Chatterjee were dramatized and performed on the public stage with considerable success. Chatterjee's works have been repeatedly translated into all the major Indian languages

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RABINDRANATH

Rbindranath Tagore (1861-1941) was the youngest son of Debendranath Tagore, a leader of the Brahmo Samaj, which was a new religious sect in nineteenth-century Bengal and which attempted a revival of the ultimate monistic basis of Hinduism as laid down in the Upanishads. He was educated at home; and although at seventeen he was sent to England for formal schooling, he did not finish his studies there. In his mature years, in addition to his many-sided literary activities, he managed the family estates, a project which brought him into close touch with common humanity and increased his interest in social reforms. He also started an experimental school at Shantiniketan where he tried his Upanishadic ideals of education. From time to time he participated in the Indian nationalist movement, though in his own non-sentimental and visionary way; and Gandhi, the political father of modern India, was his devoted friend. Tagore was knighted by the ruling British Government in 1915, but within a few years he resigned the honour as a protest against British policies in India.

Tagore had early success as a writer in his native Bengal. With his translations of some of his poems he became rapidly known in the West. In fact his fame attained a luminous height, taking him across continents on lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal, he became a great living institution.

Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) [The Ideal One], Sonar Tari (1894) [The Golden Boat], Gitanjali (1910) [Song Offerings], Gitimalya (1914) [Wreath of Songs], andBalaka (1916) [The Flight of Cranes]. The English renderings of his poetry, which include The Gardener (1913), Fruit-Gathering (1916), and The Fugitive (1921), do not generally correspond to particular volumes in the original Bengali; and in spite of its title, Gitanjali: Song Offerings(1912), the most acclaimed of them, contains poems from other works besides its namesake. Tagore's major plays are Raja (1910) [The King of the Dark Chamber], Dakghar (1912) [The Post Office], Achalayatan (1912) [The Immovable], Muktadhara (1922) [The Waterfall], andRaktakaravi (1926) [Red Oleanders]. He is the author of several volumes of short stories and a number of novels, among them Gora (1910), Ghare-Baire (1916) [The Home and the World], and Yogayog (1929) [Crosscurrents]. Besides these, he wrote musical dramas, dance dramas, essays of all types, travel diaries, and two autobiographies, one in his middle years and the other shortly before his death in 1941. Tagore also left numerous drawings and paintings, and songs for which he wrote the music himself.

From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969

This autobiography/biography was written at the time of the award and first published in the book seriesLes Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.

Rabindranath Tagore died on August 7, 1941.

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